Twin Cities Speculations Anthology Update!

“Welcome to Minnesota, where aliens go ice fishing, angels roam the streets of Minneapolis, and missing socks show up on a distant planet.”

News! (a little overdue, but…)

The review blog AmazingStoriesMag.com has reviewed our forthcoming anthology, Twin Cities Speculations! An anthology of all Minnesota authors, the review specifically highlights Eric Binfet, Lindsey Loree of HerStoryArc.com, and yours truly. Read it here!

Twin Cities Speculations is at the publisher’s now, so stay tuned for more info and my own story, which will be posted on my site soon!

 

TC Spec

Out soon!

“In Minnesota, there’s a lot of time during the six-month-long winter for creativity. The folks who wrote the stories in Twin Cities Speculations have dump trucks full of it. From ice fishing through an alien’s eyes to an alien fighting Ripley-style to save her race, to a grieving mother trying to save a strange child during an icy northern winter, you’ll find great entertainment here.”

–Deb Elliott, author of Race the Night

George R.R. Martin Works For Me

george-rr-martin-kill-a-stark

I just read a really good article by Neil Gaiman and I agreed with almost every single point, except his last sentence. The article, posted on his website in 2009, is about how writers who take a long time to finish series (he used George R.R. Martin and Patrick Rothfuss as examples) have a right to work at their own pace:

You’re complaining about George doing other things than writing the books you want to read as if your buying the first book in the series was a contract with him: that you would pay over your ten dollars, and George for his part would spend every waking hour until the series was done, writing the rest of the books for you.

No such contract existed.

I was nodding along enthusiastically at Gaiman’s points about writers not being machines who can produce on-demand, and how “life is a good thing for a writer” until I was brought up short by this sentence, which is, you guessed it, GRRM does not work for you.

He doesn’t? I thought. But, then, who does he work for?

I’m not a huge fan of either Martin or Rothfuss. My struggle is with Isobelle Carmody, Australian author of the Obernewtyn Chronicles. The first book in the series was published in 1988, the last has yet to appear. I didn’t even start reading them until 2006ish. Imagine the poor people who have loved and followed Carmody since the beginning!

See how it says 2012? Yeah, you still can't get those last two books

See how it says 2012? Yeah, you still can’t get those last two books

Why do we keep reading these series? Obviously because we love the worlds and become invested in the characters, blah blah blah. The real issue for me (and not for Gaiman) is the money. Technically, Carmody and others work for themselves and the deadlines their publishers give them. But who do the publishers work for? We, the readers–the actual book-buyers who could’ve spent that money on something else–are the ones actually funding the lives of these authors. If GRRM doesn’t work for me, then fine, but he can’t have my money.

When you write a novel, that’s art, and you can take 500 years to finish it if you want. But when you PUBLISH a novel, that’s a business contract, and I don’t think it’s unreasonable to expect the next book to come out within ten years. Your  loyal customers deserve it.